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nesting Naomi Bulger nesting Naomi Bulger

Harvest and home

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Autumn swept into Melbourne last week with one last, brutal heatwave, scorching gardens and people alike, and reminding us that our place on this brown and sunburned land is insubstantial. In my family, the threads that tie us to this landscape are gossamer, only two generations young, and our biology has not caught up with our climate. Every time the mercury rises we are driven inside, hiding from the weather in the relative cool of double-brick walls and high ceilings and air conditioning.

Autumn is harvest time, usually a season of delicious bounty, but heatwaves here and drought there and floods over there have left many of my country’s crops rotting, or burned away, or not even planted. Often we are insulated from these events in the city, the travails of the farmers and producers only an hour or two away from us go unnoticed amid bulk discount produce in the supermarket, shipped in on ice from many thousands of kilometres away. But when a head of broccoli soars to $10.75 a kilo, surely more people will start to take notice.

We do our best to buy locally, supporting our farmers or the high-street shops that in turn support the farmers, and we follow the seasons as best we can, buying our food when it is at its best and was picked just the other day and just around the corner (rather than last month and in another time zone).

But if you can’t grow the crops yourself, it’s not always easy to know what is at its best, when.

This was easier in France. Shopping at the farmers’ markets in Dinan every week, I tried to let the produce inspire my cooking, rather than carrying a shopping list with me (I wrote about that in my newsletter last month, and you can read it here if you’d like to).

I quickly learned from this experience how ill-equipped I was as a cook to plan our meals in this way, and scouted around for some kind of guide to help me. And, this being France, naturally I found one. It was a little book called “Agenda Gourmand: use année de recites avec des produits de saison” (which is fairly self-explanatory even if you don’t speak French, but roughly means “Food planner: yearly recipes with seasonal produce”). There was a week to each opening, celebrating the produce that was likely to be at its best on that particular week, and sharing recipes and other tips for using and cooking with them.

Back in Melbourne now, I have decided to create - and paint - an agenda gourmand of my own, noting down the best times to plant, harvest, buy and forage for food where I live, and collecting my favourite recipes, remedies and stories for making use of them. I hope it will become my go-to food guide for seasonal eating, and maybe something I can pass down to my children as well.

I also hope it will become a celebration of the beauty and abundance of nature, both in paint and in words. Another way for me to make peace with my country, even when the heatwaves are relentless and fierce.

So I have started painting, and I have started reminiscing…

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Pears…

They were never my favourite. Too sweet, too juicy, and with that funny, fuzzy texture on the tongue… not for me. (Although hard to surpass in a rocket salad with parmesan cheese and rocket, it’s true, to complement the pork ragu I like to make in autumn).

And then there was that tarte au poire I ate atop the Eiffel Tower in the autumn of 2011, on the holiday from which, unknowing at the time, I would bring my daughter home inside me.

September was cooling down. It had been raining, and parts of the metal steps were slippery as I climbed, alongside two friends I’d known and loved since childhood. I’d been to Paris before but this was my first time climbing the tower, and no amount of cliché, nor the blisters from the new red ballet-flats I’d mistakenly thought would be romantic on a visit to Paris, could make the moment less magical.

At the top we bought hot chocolates, and my friend Lindy chose a pear tart for us to share. It was one of those moments. Paris in the rain. The Eiffel Tower. Beloved friends… and that tart. Sweet, vanilla pastry, a hint of almonds, and juicy pears (fresh, with the skin still on them) arranged in a beautiful flower and glowing under a delicate glaze.

That was the day I made friends with pears.

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Radishes…

Sharp and clean, with a pepper-like crunch that warms a winter salad and makes orange sing. Slice them thinly, then hold the slices up to a window to see them glow like tiny moons.

Radishes are the first vegetable I remember growing. My mother found us a little patch of dirt around the side of our suburban house in Berowra Heights, and told us we could grow our very own vegetables. She told me she chose radishes because they were so easy to grow, even in cooler weather, and they were relatively quick: you have to harvest radishes early or they become hot and spongy.

I remember the touch of the warm soil as I drew a line in my little vegetable patch with my finger, carving a trench just deep enough to carefully place the seeds along the line I’d made, each of them two hands apart, before covering and gently patting the soil smooth again. The staggering weight of the watering can as I tilted it over my future harvest, barely able to hold it up. And the excitement when the first, green shoots poked up through that carefully tended soil… And then the waiting - oh! the waiting! - with the sublime impatience of childhood, for the harvest day to come.

Something else I remember: the extraordinary underwhelm of my first bite. Pepper! I suspect I wailed, “Too hot!” The flavour that now brings me so much delight (is there anything better, paired with pomegranate seeds, watercress, honey and fresh mint?) was a resounding failure in my childhood vegetable patch. I don’t remember what came next. Carrots, maybe?

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Apples…

The apple tree at the front of our house is fruiting this year. It’s just a crabapple tree, nothing we can pick and munch for morning tea like the gala apple I’ve painted here (I had to label it in the ‘fridge: “Mummy’s art, don’t eat.”) I chose the crabapple for our tiny front yard because the blossom trees on the next street over were so spectacular that in spring they would take your breath away. I think you could see those rows of blossoms from space, and that’s something special in the inner city. I love these trees so much I contacted the chief arborist at our local council to find out exactly what variety they were, so I could have my very own piece of blossom heaven.

I missed the blooms on our tree last year, because we were in France, but my husband tells me they were every bit as glorious as I’d hoped. And now our little tree is fruiting. Every morning as the children and I set off on our walk to school, we say hello to our tree and inspect the baby fruit, which seems simultaneously so improbable and yet so lovely in our tiny city yard.

In Dinan, there was a public apple orchard. Mostly cider apples, growing wild and unharvested on the side of the hill beneath the castle walls. There was a path winding through the apple-trees down to the river (they called the path a ‘Chemin des Pommiers’ - an apple walk), so covered in fallen apples in October that a gentle stroll became a slippery and treacherous clamber. But the air inside the orchard was perfumed with apple-flavoured honey.

Also this podcast about apple trees, with Lindsay Cameron Wilson, makes me so happy.

What are your stories?


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